I recommend to look Mother's Little Helpers movie
Movie Premier in 2005.
Sold to the Italian film company Rai Cinema.
Budget: $125,000
Nine immature delinquent girls flout out of a painstaking up and about arts school and silhouette a undeclared cabal involving archetype from ancient Greece. The girls hesitate done from a Ouija portion that they may probably be reincarnate being next to an ancient chronological and that they be jailed all for crime that those archetypes put up with for.
Color Info: Color
Countries: USA
Genres: Drama
Languages: English
Locations: Jamestown, Rhode Island, USA, Newport, Rhode Island, USA, Providence, Rhode Island, USA
Runtimes: USA:132
Tech Info: RAT:1.33 : 1
Release Dates: Italy:2005
In movie have been taken:
Kevin Bliss (actor)
Brett Ryland (actor)
Articles: "Bostonia" (USA), 29 June 2004, by: Midge Raymond, "Storyteller In A Digital Age"
Lauren Calta (actress)
Dana Chodos (actress)
Marissa Eusebio (actress)
Kae Geller (actress)
Birth Name: Mankovich, Karen
Spouse: 'Stephen Geller (I)' (qv) (? - present); 1 child
1983 PSGA US Professional Ice Dance Champion, 1978-79 Member US Figure Skating Team, competed at 1981 World Figure Skating Championships. USFSA Double Gold Medalist.
Other Works: Playwright, w/'Stephen Geller (I)' (qv): "Opportunities in Zero Gravity", 1997.
Megan Kerins (actress)
Oona Laurie (actress)
Alyssa Russell (actress)
Sarita Timmerman (actress)
Stephen Geller (producer)
Won a special jury prize at Cannes in 1972 for his screenplay adaptation of _Slaughterhouse-Five (1972)_ (qv)., His film 'Cuppa Cabby Piece o' Pie' -- directed by Tom Danon -- won the award for best comedy at ZoieFest 2000., Won the 1973 Hugo Award (with 'George Roy Hill' (qv)) for Best Dramatic Presentation for the film version of 'Slaughterhouse-Five'., Geller's novel GAD begins with the phrase: ateh malkuth ve'geburah ve'gedulah, le-olam... Amen. This phrase comes from the open passage of the Star Ruby Ritual, which was composed by the infamous occultist Aleister Crowley and published in his "Book of Lies (1913)."., Geller's private papers (dated through 1993) are collected in the Dartmouth College Library archives. The collection includes drafts of his scripts and novels, as well as an assortment of unpublished fiction and never-produced film scripts., His daughter 'Polly Geller' (qv) is an actress., His freshman year roommate at Dartmouth was 'William Hjortsberg' (qv), the screenwriter behind Legend (1985) and Angel Heart (1987).
Interviews: "Imagine News" (USA), October 2004, Vol. 7, Iss. 78, pg. 8, by: Robert Pushkar, "Stephen Geller: Doing It His Own Way in Rhode Island", "Bostonia" (USA), 29 June 2004, by: Midge Raymond, "Storyteller in a Digital Age"
Quotes: "I've be compensated to jot 42 films and nine appropriate been made, and I have never been thrilled near the direction of a majority of them, but contained by favour of 'George Roy Hill' (qv)'s direction of _Slaughterhouse-Five (1972)_ (qv). The leftovers of the juncture I found that I be brighter than best director, if fairness be tell know more nearly broadcast, and care more about film. And consequently this time, I knew I was going to give out this the flicks.", [On his directorial debut] "One of the reasons I did this is to show that you can make a film with little money, and that it can be beautiful. The film actually is very pretty, the cast is extraordinary-looking, the ambiance is very mysterious and magical, and it didn't cost a fortune to do.", "Kae and I love to write together. I find that we just turn each other on. Her imagination is so rich and so crazy and so much fun. She's far more scientific than I am, so she'll take an idea and go to the craziest places with it.", "I had had nine contracts to direct something I had written, but for a variety of reasons they never came through. Either I walked away because it didn't contain the elements I wanted, or the producer found me unbearable, or we lost the money.", "I became very aware quite young of a multiplicity of worlds and what was particularly fascinating to me was a very strong memory of southern Europe, particularly the Mediterranean basin. And when I moved to Rome, it was like being home again. There were experiences and places that had such an intense familiarity that I recognized them from previous existences.", [on writing] "The most potent force in film is storytelling. The most potent force in history is the human voice. You must trust your voice, utilize it in a variety of media. It is the greatest gift to humanity to tell people who they are, where they are coming from, and where they are going.", "Forms can be taught. Passion, you have to come up with. Imagination, nobody can teach that. Life experience, nobody can teach that. That's yours. That's your gift. Idea is what you bring to it, the intention.", [on the Writer's Guild] "We are not a union of writers. We are a union of rewriters. They never, never found a way of protecting an original screenplay the way the Dramatists Guild protects its playwrights and the Authors League protects its published authors. In those organizations the word begins and ends with the writer, but not so in Hollywood.", [on being a Hollywood screenwriter during the "auteur" period in the 1970s] "You never knew if you were going to work, or if your work was going to get produced. Directors never committed to the talent or the writer, rather they committed to keeping the deal alive. That's when you began to see scripts with six, seven, nine, or ten scriptwriters. The 'original story by', written by a single writer, was rewritten by three writers who were never in the same room. Then the script was rewritten by five other writers.", "Writing a screenplay today, unless you are directing it, is like putting a meal in the middle of a forest. Every kind of animal is going to come up and fight over it-grab food, throw food, crap on the plate. That meal is so destroyed by the time everyone has had his or her way with it, you're lucky if you see forty percent of that film."
Other Works: Playwright (w/'Kae Geller' (qv)): "Opportunities in Zero Gravity", Novel: "She Let Him Continue", Novel: "Pit Bull", Novel: "Joop's Dance", Novel: "Gad", Book: "Screenwriting: A Method"
Where Now: (May 2003) Completed production on his directorial debut, an independent feature titled Mother's Little Helpers.
Birth Name: Geller, Stephen David
Spouse: 'Kae Geller' (qv) (? - present); 1 child
Michael Goodley (producer)
Stephen Geller (writer)
Won a special jury prize at Cannes in 1972 for his screenplay adaptation of _Slaughterhouse-Five (1972)_ (qv)., His film 'Cuppa Cabby Piece o' Pie' -- directed by Tom Danon -- won the award for best comedy at ZoieFest 2000., Won the 1973 Hugo Award (with 'George Roy Hill' (qv)) for Best Dramatic Presentation for the film version of 'Slaughterhouse-Five'., Geller's novel GAD begins with the phrase: ateh malkuth ve'geburah ve'gedulah, le-olam... Amen. This phrase comes from the open passage of the Star Ruby Ritual, which was composed by the infamous occultist Aleister Crowley and published in his "Book of Lies (1913)."., Geller's private papers (dated through 1993) are collected in the Dartmouth College Library archives. The collection includes drafts of his scripts and novels, as well as an assortment of unpublished fiction and never-produced film scripts., His daughter 'Polly Geller' (qv) is an actress., His freshman year roommate at Dartmouth was 'William Hjortsberg' (qv), the screenwriter behind Legend (1985) and Angel Heart (1987).
Interviews: "Imagine News" (USA), October 2004, Vol. 7, Iss. 78, pg. 8, by: Robert Pushkar, "Stephen Geller: Doing It His Own Way in Rhode Island", "Bostonia" (USA), 29 June 2004, by: Midge Raymond, "Storyteller in a Digital Age"
Quotes: "I've be compensated to keep in touch 42 films and nine enjoy been made, and I have never been content near the direction of a majority of them, in need all for 'George Roy Hill' (qv)'s direction of _Slaughterhouse-Five (1972)_ (qv). The remnants of the incident I found that I be brighter than unmatched director, without inkling know more about watercolour, and care more about film. And for this reason this time, I knew I was going to miscellany this the flicks.", [On his directorial debut] "One of the reasons I did this is to show that you can make a film with little money, and that it can be beautiful. The film actually is very pretty, the cast is extraordinary-looking, the ambiance is very mysterious and magical, and it didn't cost a fortune to do.", "Kae and I love to write together. I find that we just turn each other on. Her imagination is so rich and so crazy and so much fun. She's far more scientific than I am, so she'll take an idea and go to the craziest places with it.", "I had had nine contracts to direct something I had written, but for a variety of reasons they never came through. Either I walked away because it didn't contain the elements I wanted, or the producer found me unbearable, or we lost the money.", "I became very aware quite young of a multiplicity of worlds and what was particularly fascinating to me was a very strong memory of southern Europe, particularly the Mediterranean basin. And when I moved to Rome, it was like being home again. There were experiences and places that had such an intense familiarity that I recognized them from previous existences.", [on writing] "The most potent force in film is storytelling. The most potent force in history is the human voice. You must trust your voice, utilize it in a variety of media. It is the greatest gift to humanity to tell people who they are, where they are coming from, and where they are going.", "Forms can be taught. Passion, you have to come up with. Imagination, nobody can teach that. Life experience, nobody can teach that. That's yours. That's your gift. Idea is what you bring to it, the intention.", [on the Writer's Guild] "We are not a union of writers. We are a union of rewriters. They never, never found a way of protecting an original screenplay the way the Dramatists Guild protects its playwrights and the Authors League protects its published authors. In those organizations the word begins and ends with the writer, but not so in Hollywood.", [on being a Hollywood screenwriter during the "auteur" period in the 1970s] "You never knew if you were going to work, or if your work was going to get produced. Directors never committed to the talent or the writer, rather they committed to keeping the deal alive. That's when you began to see scripts with six, seven, nine, or ten scriptwriters. The 'original story by', written by a single writer, was rewritten by three writers who were never in the same room. Then the script was rewritten by five other writers.", "Writing a screenplay today, unless you are directing it, is like putting a meal in the middle of a forest. Every kind of animal is going to come up and fight over it-grab food, throw food, crap on the plate. That meal is so destroyed by the time everyone has had his or her way with it, you're lucky if you see forty percent of that film."
Other Works: Playwright (w/'Kae Geller' (qv)): "Opportunities in Zero Gravity", Novel: "She Let Him Continue", Novel: "Pit Bull", Novel: "Joop's Dance", Novel: "Gad", Book: "Screenwriting: A Method"
Where Now: (May 2003) Completed production on his directorial debut, an independent feature titled Mother's Little Helpers.
Birth Name: Geller, Stephen David
Spouse: 'Kae Geller' (qv) (? - present); 1 child
Won a special jury prize at Cannes in 1972 for his screenplay adaptation of _Slaughterhouse-Five (1972)_ (qv)., His film 'Cuppa Cabby Piece o' Pie' -- directed by Tom Danon -- won the award for best comedy at ZoieFest 2000., Won the 1973 Hugo Award (with 'George Roy Hill' (qv)) for Best Dramatic Presentation for the film version of 'Slaughterhouse-Five'., Geller's novel GAD begins with the phrase: ateh malkuth ve'geburah ve'gedulah, le-olam... Amen. This phrase comes from the open passage of the Star Ruby Ritual, which was composed by the infamous occultist Aleister Crowley and published in his "Book of Lies (1913)."., Geller's private papers (dated through 1993) are collected in the Dartmouth College Library archives. The collection includes drafts of his scripts and novels, as well as an assortment of unpublished fiction and never-produced film scripts., His daughter 'Polly Geller' (qv) is an actress., His freshman year roommate at Dartmouth was 'William Hjortsberg' (qv), the screenwriter behind Legend (1985) and Angel Heart (1987).
Interviews: "Imagine News" (USA), October 2004, Vol. 7, Iss. 78, pg. 8, by: Robert Pushkar, "Stephen Geller: Doing It His Own Way in Rhode Island", "Bostonia" (USA), 29 June 2004, by: Midge Raymond, "Storyteller in a Digital Age"
Quotes: "I've be salaried to exchange letters 42 films and nine to the point been made, and I have never been smug next to the direction of a majority of them, excluding enclosed by favour of 'George Roy Hill' (qv)'s direction of _Slaughterhouse-Five (1972)_ (qv). The forty wink of the circumstance I found that I be brighter than maximum director, in certainty know more circa motion image, and care more about film. And after this time, I knew I was going to be paid this big peak.", [On his directorial debut] "One of the reasons I did this is to show that you can make a film with little money, and that it can be beautiful. The film actually is very pretty, the cast is extraordinary-looking, the ambiance is very mysterious and magical, and it didn't cost a fortune to do.", "Kae and I love to write together. I find that we just turn each other on. Her imagination is so rich and so crazy and so much fun. She's far more scientific than I am, so she'll take an idea and go to the craziest places with it.", "I had had nine contracts to direct something I had written, but for a variety of reasons they never came through. Either I walked away because it didn't contain the elements I wanted, or the producer found me unbearable, or we lost the money.", "I became very aware quite young of a multiplicity of worlds and what was particularly fascinating to me was a very strong memory of southern Europe, particularly the Mediterranean basin. And when I moved to Rome, it was like being home again. There were experiences and places that had such an intense familiarity that I recognized them from previous existences."
Miguelangel Aponte-Rios (cinematographer)
Stephen Geller (director)
David Nathan (editor)
This movie in search engines is found also by requests goddess, divine-feminine, based-on-novel
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